kopia lustrzana https://github.com/Podcastindex-org/podcast-namespace
add key attribute, add french translation
In order to manage translations I added a "key" attribute which allows to make translation correspond to the English values.pull/161/head
rodzic
54a1d44e8a
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[
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{
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"key":"Creative Direction\/Director",
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"group":"Creative Direction",
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"role":"Director",
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"description":"The Director is the head of the entire creative production, from creative details to logistics. There is typically a single director for a production. This role is primarily seen in fiction podcasts.",
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"example":"Jenna Knorr for \"Welcome to Tinsel Town\""
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},
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{
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"key":"Creative Direction\/Assistant Director",
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"group":"Creative Direction",
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"role":"Assistant Director",
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"description":"The Assistant Director is a liaison between the director and the rest of the production, often coordinating the daily logistics of production. There may be multiple assistant directors on a project. This role is primarily seen in fiction podcasts.",
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"example":"William Wright for \"Inn Between\""
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},
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{
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"key":"Creative Direction\/Executive Producer",
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"group":"Creative Direction",
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"role":"Executive Producer",
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"description":"The Executive Producer is the lead producer on a production. The role can range in terms of creative control with some \"EP\"s owning the creative direction of a podcast (in effect taking the role of director), while others may take a more hands off approach. Executive producer may have raised the money to fund the production, but it is not a necessary responsibility of the role.",
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"example":"Jane Rotonda for \"The Larry Meiller Show"
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},
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{
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"key":"Creative Direction\/Senior Producer",
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"group":"Creative Direction",
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"role":"Senior Producer",
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"description":"The Senior Producer is the second most senior producer of the production (second to the Executive Producer). They supervise producers and the general direciton and logistics of the entire production.",
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"example":"Dr. Jeremy Weisz from \"INspired INsider\""
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},
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{
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"key":"Creative Direction\/Producer",
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"group":"Creative Direction",
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"role":"Producer",
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"description":"The Producer coordinates and executes the production of the podcast. There duties can include helping craft the creative direction of a project, budgeting, research, scheduling, and overseeing editing and final production.",
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"example":""
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},
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{
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"key":"Creative Direction\/Associate Producer",
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"group":"Creative Direction",
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"role":"Associate Producer",
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"description":"The Associate Producer performs one or more producer functions as delegated to them by a Producer.",
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"example":"Alex Baumhardt for \"APM Reports\""
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},
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{
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"key":"Creative Direction\/Development Producer",
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"group":"Creative Direction",
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"role":"Development Producer",
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"description":"The Development Producer coordinates and executes the pre-production create direction of a podcast. Their responsibilities include finding new episode and series ideas and working with writers and researchers to prepare the concept for production.",
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"example":""
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},
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{
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"key":"Creative Direction\/Creative Director",
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"group":"Creative Direction",
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"role":"Creative Director",
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"description":"The Creative Director is responsible for the creative strategy and execution of an entire series. Often this role reaches outside of content to affect accompanying artwork, music, marketing campaigns, and more.",
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"example":"Neil Druckmann on \"The Official The Last of Us\""
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},
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{
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"key":"Cast\/Host",
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"group":"Cast",
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"role":"Host",
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"description":"The Host is the on-air master of ceremonies of the podcast and a consistent presence on every episode (with the exception of guest hosts and alternative episodes). The Host's duties may include conducting interviews, introducing stories and segments, narrating, and more. There may be more than one Host per podcast or episode.",
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"example":"Joe Rogan for \"The Joe Rogan Experience\""
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},
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{
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"key":"Cast\/Co-Host",
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"group":"Cast",
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"role":"Co-Host",
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"description":"The Co-Host performs many of the same duties as the host, while taking a secondary presence on the podcast.",
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"example":"Dax Shepard for \"Armchair Expert\""
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},
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{
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"key":"Cast\/Guest Host",
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"group":"Cast",
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"role":"Guest Host",
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"description":"The Guest Host performs all of the duties of the traditional Host role, but does so in a temporary capacity. Often as a single appearance or a short span of episodes.",
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"example":"Erica Kelly on \"Let's Taco 'Bout Women and True Crime\""
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},
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{
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"key":"Cast\/Guest",
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"group":"Cast",
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"role":"Guest",
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"description":"The Guest is an outside party who makes an on-air appearance on an episode, often as a participant in a panel or the interview subject.",
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"example":"Lewis Brindley for \"Triforce!\""
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},
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{
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"key":"Cast\/Voice Actor",
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"group":"Cast",
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"role":"Voice Actor",
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"description":"The Voice Actor gives a performance in which they lend their voice to the role of a character on a podcast episode. While the majority of voice acting roles will be fictional, the role of voice actor may also cover reenactments of real conversations and people.",
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"example":"Venk Potula for \"Masala Jones\""
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},
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{
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"key":"Cast\/Narrator",
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"group":"Cast",
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"role":"Narrator",
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"description":"The Narrator gives a performance in which tell the exposition of a fictional or non-fictional story, often in a scripted manner. The Narrator may also perform voices of characters within the story, provided they still maintain the role of exposition storyteller or \"voice of God\".",
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"example":"James Harvey Freetly for \"Lakeshore & Limbo\""
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},
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{
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"key":"Cast\/Announcer",
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"group":"Cast",
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"role":"Announcer",
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"description":"The Announcer gives short vocal performances for the introduction of the podcast, episode topics, segments, guests, prizes, etc. The Announcer is secondary to the host of the podcast and often performs their introductions in a scripted, produced manner.",
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"example":"Lydia Kapp for \"World Builders Anonymous\""
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},
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{
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"key":"Cast\/Reporter",
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"group":"Cast",
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"role":"Reporter",
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"description":"The Reporter finds and investigates news or stories for the podcast, often interviewing subjects and conducting research. The Reporter can be an on-air position as well, as they convey the insights of their investigation.",
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"example":""
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},
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{
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"key":"Writing\/Author",
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"group":"Writing",
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"role":"Author",
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"description":"The Author has written prose or poetry originally intended for text that is now being read verbatim on air.",
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"example":"Heiko Martens for \"The Sigmund Freud Files\""
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},
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{
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"key":"Writing\/Editorial Director",
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"group":"Writing",
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"role":"Editorial Director",
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"description":"The Editorial Director heads all departments of the organization behind the podcast and is held accountable for delegating tasks to staff members and managing them. They are the highest-ranking editor and are responsible for the direction, accuracy, and decisions behind podcast content.",
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"example":"Christopher Twarowski for \"News Beat\""
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},
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{
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"key":"Writing\/Co-Writer",
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"group":"Writing",
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"role":"Co-Writer",
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"description":"The Co-Writer has written a podcast in partnership with 1-2 other writers, sharing credit together for the creative arc, dialogue, and narration.",
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"example":"Max Eggers on \"THE LIGHTHOUSE\""
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},
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{
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"key":"Writing\/Writer",
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"group":"Writing",
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"role":"Writer",
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"description":"The Writer has written the story or dialogue of a podcast. The Writer is often involved in the creative arc of a production, but this is not a necessary requirement. Writers may work in fictional or non-fictional podcasts.",
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"example":""
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},
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{
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"key":"Writing\/Songwriter",
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"group":"Writing",
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"role":"Songwriter",
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"description":"The Songwriter has written the lyrics and\/or accompanying music to an original song created for the podcast and played on an episode.",
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"example":"Ben Lapidus for \"Gay Future\""
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},
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{
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"key":"Writing\/Guest Writer",
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"group":"Writing",
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"role":"Guest Writer",
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"description":"The Guest Writer performs the duties of a writer in a temporary capacity, often as a single episode or a short span of episodes. The distinction between writer and Guest Writer depends on the decision of the podcast itself.",
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"example":"Beth Crane for \"The Unseen Hour\""
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},
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{
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"key":"Writing\/Story Editor",
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"group":"Writing",
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"role":"Story Editor",
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"description":"The Story Editor is responsible for broad stroke direction of the story arc and character development of a podcast. Often seen in fiction and documentary podcasts.",
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"example":"Gabrielle Loux for \"The NoSleep Podcast\""
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},
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{
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"key":"Writing\/Managing Editor",
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"group":"Writing",
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"role":"Managing Editor",
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"description":"The Managing Editor oversees and coordinates the podcasts editorial activities, providing both detailed editing and managing a staff of writers and editors to ensure proper deadlines and budgets are being met.",
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"example":"Flora Lichtman for \"Every Little Thing\""
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},
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{
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"key":"Writing\/Script Editor",
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"group":"Writing",
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"role":"Script Editor",
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"description":"The Script Editor provides notes and editing to the recording script in a very \"hands on\" role. The Script Editor is primarily used in fiction, documentary, and advertisements where scripted recordings are prevalent.",
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"example":"Alex Rioux for \"Welcome to Tinsel Town: A Christmas Adventure\""
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},
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{
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"key":"Writing\/Script Coordinator",
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"group":"Writing",
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"role":"Script Coordinator",
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"description":"The Script Coordinator packages the final script with annotations that reflect specific logistics and creative cues for recording and production.",
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"example":"Alex Rioux for \"Welcome to Tinsel Town: A Christmas Adventure\""
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},
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{
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"key":"Writing\/Researcher",
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"group":"Writing",
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"role":"Researcher",
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"description":"The Researcher coordinates the sourcing and verification of information that can then be used for the content of a podcast episode, often informing the direction of a story based on new insights uncovered.",
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"example":"Dave Grave for \"The Zero Brain Podcast\""
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},
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{
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"key":"Writing\/Editor",
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"group":"Writing",
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"role":"Editor",
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"description":"The Editor reviews and prepares scripts for conveying information in a creative, accurate, and engaging manner.",
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"example":""
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},
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{
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"key":"Writing\/Fact Checker",
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"group":"Writing",
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"role":"Fact Checker",
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"description":"The Fact Checker reviews the content of a podcast for factual correctness and verifies that quote attribution is correct. They use a variety of tools including 3rd party research and individual outreach. Often the Fact Checker will also provide notes on how the production can avoid the confusion in the delivery of information in the episode.",
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"example":""
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},
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{
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"key":"Writing\/Translator",
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"group":"Writing",
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"role":"Translator",
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"description":"The Translator converts content from one language to another for the podcast. This can be interviews, dialogue, text documents, and more. The Translator's work may be used on-air or behind-the-scenes during the production\/research process.",
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"example":""
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},
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{
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"key":"Writing\/Transcriber",
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"group":"Writing",
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"role":"Transcriber",
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"description":"The Transcriber turns dialogue and audio cues into text, which can be used internally for production processes or displayed publicly for listeners.",
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"example":""
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},
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{
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"key":"Writing\/Logger",
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"group":"Writing",
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"role":"Logger",
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"description":"The Logger reviews and documents the contents and timestamps of raw audio in service of producers and editors in the production process.",
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"example":""
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},
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{
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"key":"Audio Production\/Studio Coordinator",
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"group":"Audio Production",
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"role":"Studio Coordinator",
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"description":"The Studio Coordinator manages the recording studio and audio technicians working within the studio at the time of recording.",
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"example":""
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},
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{
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"key":"Audio Production\/Technical Director",
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"group":"Audio Production",
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"role":"Technical Director",
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"description":"The Technical Director oversees the podcast's recording and production as it is involved with audio technologies including hardware and software, and managing roles involved these areas.",
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"example":"Adam Raymonda on \"Celebuzz'd\""
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},
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{
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"key":"Audio Production\/Technical Manager",
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"group":"Audio Production",
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"role":"Technical Manager",
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"description":"The Technical Manager coordinates a team of audio engineers and studio staff, in the recording and production as it is involved with audio technologies including hardware and software.",
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"example":""
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},
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{
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"key":"Audio Production\/Audio Engineer",
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"group":"Audio Production",
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"role":"Audio Engineer",
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"description":"The Audio Engineer helps record and produce audio by setting up recording environments, monitoring recoding, and providing technical adjustments throughout. The Audio Engineer is present during the recording process, most often making adjustments in real time. The Audio Engineer may work with conversation, music, foley, or any other type of audio.",
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"example":"Peter Leonard from \"Startup Podcast\""
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},
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{
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"key":"Audio Production\/Remote Recording Engineer",
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"group":"Audio Production",
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"role":"Remote Recording Engineer",
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"description":"The Remote Recording Engineer ensures the proper recording of conversations taking place in multiple locations across a phone line or internet connection. The Remote Recording Engineer evaluates the different recording set ups and attempts to reconcile them into a cohesive sound, while also monitoring the recording process to capture the best possible audio.",
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"example":""
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},
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{
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"key":"Audio Production\/Post Production Engineer",
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"group":"Audio Production",
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"role":"Post Production Engineer",
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"description":"The Post Production Engineer evaluates audio technologies and their application as it pertains to the final steps of production and publication.",
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"example":"Dick Wound for \"Queens Next Door\""
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},
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{
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"key":"Audio Post-Production\/Audio Editor",
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"group":"Audio Post-Production",
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"role":"Audio Editor",
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"description":"The Audio Editor cuts and rearranges audio for clarity and storytelling purposes. The Audio Editor may also perform general audio processing and mastering.",
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"example":""
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},
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{
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"key":"Audio Post-Production\/Sound Designer",
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"group":"Audio Post-Production",
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"role":"Sound Designer",
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"description":"The Sound Designer creates and composes a variety of audio elements. These elements are mostly secondary to speech, but a Sound Designer may creatively edit\/produce speech elements in an artist manner.",
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"example":""
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},
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{
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"key":"Audio Post-Production\/Foley Artist",
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"group":"Audio Post-Production",
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"role":"Foley Artist",
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"description":"The Foley Artist sound effects for a podcast and can do so both via physical recording and digital processing, or a combination of the two.",
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"example":""
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},
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{
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"key":"Audio Post-Production\/Composer",
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"group":"Audio Post-Production",
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"role":"Composer",
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"description":"The Composer writes an original musical piece (or multiple) that is played on the published episode. The Composer will also often be the performer of said musical piece.",
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"example":"Marcus Thorne Bagala from \"This American Life\""
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},
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{
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"key":"Audio Post-Production\/Theme Music",
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"group":"Audio Post-Production",
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"role":"Theme Music",
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"description":"Theme Music is a musical piece that accompanies the podcast across multiple episodes, most often at the beginning of an episode. The Theme Music is used to introduce the podcast as a brand. This role is for the creator of the theme music.",
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"example":"Mark Philips from \"Startup Podcast\""
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},
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{
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"key":"Audio Post-Production\/Music Production",
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"group":"Audio Post-Production",
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"role":"Music Production",
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"description":"The Music Production role helps creatively craft music in a role separate from the writing of said music. Music Production often involves creative decisions per the method in which music is recorded, the arrangement of instruments, the use of effects, and more.",
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"example":"Storm Duper for \"Faking Star Wars Radio\""
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},
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{
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"key":"Audio Post-Production\/Music Contributor",
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"group":"Audio Post-Production",
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"role":"Music Contributor",
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"description":"The Music Contributor is the creator of music that was used for the podcast but not necessarily produced specifically for the podcast. Often a podcast will use an existing musical piece and credit the original creator.",
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"example":"Bobby Lord from \"Startup Podcast\""
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},
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{
|
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"key":"Administration\/Production Coordinator",
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"group":"Administration",
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"role":"Production Coordinator",
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"description":"The Production Coordinator is responsible for managing the logistics of the production process from recording to publication, including attaining the required permissions and permits, connecting the various production and recording teams, coordinating the creation of post-production metadata, budgeting, and more.",
|
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"example":"Taneya Boyde on \"Ready For Change?\""
|
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},
|
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{
|
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"key":"Administration\/Booking Coordinator",
|
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"group":"Administration",
|
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"role":"Booking Coordinator",
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"description":"The Booking Coordinator is responsible for bringing on new guests for interviews, including sourcing guests, scheduling interviews, onboarding materials, and post-publication processes.",
|
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"example":"Meryl Klemow for \"Campfire Sht Show\""
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},
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{
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"key":"Administration\/Production Assistant",
|
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"group":"Administration",
|
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"role":"Production Assistant",
|
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"description":"The Production Assistant helps support an executive member of a podcast (often a director or producer), helping prepare them in a variety of ways including scheduling, logistics, communications, and more.",
|
||||
"example":"Wallace Mack for \"The Nod\""
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},
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{
|
||||
"key":"Administration\/Content Manager",
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"group":"Administration",
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"role":"Content Manager",
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"description":"The Content Manager is responsible for the distribution of a podcast's content within and outside of episode, including but not limited to clips, newsletters, images, cross-promotions, and more.",
|
||||
"example":"Kenneth Lee Johnson II for \"Malice Corp Smack Talk\""
|
||||
},
|
||||
{
|
||||
"key":"Administration\/Marketing Manager",
|
||||
"group":"Administration",
|
||||
"role":"Marketing Manager",
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"description":"The Marketing Manager is responsibile for the promotion of a podcast's content through various awareness strategies such as social media campaigns, cultivating a web presence, managing public relations and communications strategies, and other creative techniques to acquire and retain listeners.",
|
||||
"example":""
|
||||
},
|
||||
{
|
||||
"key":"Administration\/Sales Representative",
|
||||
"group":"Administration",
|
||||
"role":"Sales Representative",
|
||||
"description":"The Sales Representative is responsible for monetization of podcast content through managing and selling advertising inventory.",
|
||||
"example":""
|
||||
},
|
||||
{
|
||||
"key":"Administration\/Sales Manager",
|
||||
"group":"Administration",
|
||||
"role":"Sales Manager",
|
||||
"description":"The Sales Manager is responsible for all aspects of podcast monetization such as overseeing Sales Representatives, managing advertising inventory, and devising monetization strategies through channels such as affiliate partnerships, merchandise, live events, and other revenue strategies.",
|
||||
"example":""
|
||||
},
|
||||
{
|
||||
"key":"Visuals\/Graphic Designer",
|
||||
"group":"Visuals",
|
||||
"role":"Graphic Designer",
|
||||
"description":"The Graphic Designer is someone who has created any custom visuals to accompany the podcast in a variety of ways.",
|
||||
"example":"Sky Knight for \"The XP Billionaires\""
|
||||
},
|
||||
{
|
||||
"key":"Visuals\/Cover Art Designer",
|
||||
"group":"Visuals",
|
||||
"role":"Cover Art Designer",
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||||
"description":"The Cover Art Designer creates the displayed cover art of a podcast or episode. For clarity, cover art is the main image (almost always square in dimensions) accompanying the podcast in directories, while episode cover art is displayed in a similar manner at the episode level. This role may be a digital designer, artist, photographer or any other visual creative.",
|
||||
"example":""
|
||||
},
|
||||
{
|
||||
"key":"Community\/Social Media Manager",
|
||||
"group":"Community",
|
||||
"role":"Social Media Manager",
|
||||
"description":"The Social Media Manager runs the social media accounts of the podcast, including but not limited to the creation of content, posting, replies, monitoring, and more.",
|
||||
"example":"Tom Joshi-Cale for \"World on a String\""
|
||||
},
|
||||
{
|
||||
"key":"Misc.\/Consultant",
|
||||
"group":"Misc.",
|
||||
"role":"Consultant",
|
||||
"description":"A Consultant is a third-party position where someone from outside the organization works on a project, often offering a specific expertise. This is a modifier role and can be applied to any work area.",
|
||||
"example":"Ross Wilcock for \"Being Kenzie-Feature Length Immersive Horror\""
|
||||
},
|
||||
{
|
||||
"key":"Misc.\/Intern",
|
||||
"group":"Misc.",
|
||||
"role":"Intern",
|
||||
"description":"An Intern is an apprentice position where someone works for a limited time within an organization to gain work experience in a specific field. This is a modifier role and can be applied to any work area.",
|
||||
"example":""
|
||||
},
|
||||
{
|
||||
"key":"Video Production\/Camera Operator",
|
||||
"group":"Video Production",
|
||||
"role":"Camera Operator",
|
||||
"description":"A camera operator is responsible for capturing and recording all aspects of a scene for film and television. They must understand the technicalities of how to operate a camera, frame a proper shot with respect to lighting and staging, focus the lens and have a visual eye to achieve a specific look.",
|
||||
"example":""
|
||||
},
|
||||
{
|
||||
"key":"Video Production\/Lighting Designer",
|
||||
"group":"Video Production",
|
||||
"role":"Lighting Designer",
|
||||
"description":"A lighting designer works with the DP and Director to craft a specific look and feel of a scene utilizing various lighting techniques. They must be able to interpret the creative direction and bring it to life.",
|
||||
"example":""
|
||||
},
|
||||
{
|
||||
"key":"Video Production\/Camera Grip",
|
||||
"group":"Video Production",
|
||||
"role":"Camera Grip",
|
||||
"description":"A camera grip is responsible for building and maintaining all the parts of a camera and its accessories such as the tripods, cranes, dollies, etc.",
|
||||
"example":""
|
||||
},
|
||||
{
|
||||
"key":"Video Production\/Assistant Camera",
|
||||
"group":"Video Production",
|
||||
"role":"Assistant Camera",
|
||||
"description":"1st AC is responsible for the camera equipment, building the cameras before the start of each day, organizing all the parts and various accessories, swapping out lenses when necessary and also pulls focus for the DP and camera operators. The AC will also wrap out each day by cleaning the cameras, writing camera notes, marking the media cards, and delivering them to the DIT.",
|
||||
"example":""
|
||||
},
|
||||
{
|
||||
"key":"Video Post-Production\/Editor",
|
||||
"group":"Video Post-Production",
|
||||
"role":"Editor",
|
||||
"description":"Television editors are responsible for taking the shot footage and clips and blending them together to craft the director's vision and storytelling.",
|
||||
"example":""
|
||||
},
|
||||
{
|
||||
"key":"Video Post-Production\/Assistant Editor",
|
||||
"group":"Video Post-Production",
|
||||
"role":"Assistant Editor",
|
||||
"description":"The Assistant Editor is responsible for taking the media from the set, ingesting them into the designated editing software, and organizing the footage in an efficient way for the editor. They must also pay close attention to ensure that audio and video are synced and that all footage from set is ingested properly.",
|
||||
"example":""
|
||||
}
|
||||
]
|
|
@ -0,0 +1,443 @@
|
|||
[
|
||||
{
|
||||
"key":"Creative Direction\/Director",
|
||||
"group":"Direction de Cr\u00e9ation",
|
||||
"role":"R\u00e9alisat\u00b7eur\u00b7rice",
|
||||
"description":"Le directeur est \u00e0 la t\u00eate de toute la production cr\u00e9ative, des d\u00e9tails cr\u00e9atifs \u00e0 la logistique. Il n'y a g\u00e9n\u00e9ralement qu'un seul r\u00e9alisateur pour une production. Ce r\u00f4le est principalement vu dans les podcasts de fiction.",
|
||||
"example":"Jenna Knorr pour \"Bienvenue \u00e0 Tinsel Town\""
|
||||
},
|
||||
{
|
||||
"key":"Creative Direction\/Assistant Director",
|
||||
"group":"Direction de Cr\u00e9ation",
|
||||
"role":"R\u00e9alisat\u00b7eur\u00b7rice-Assistant\u00b7e",
|
||||
"description":"Le directeur adjoint est une liaison entre le r\u00e9alisateur et le reste de la production, coordonnant souvent la logistique quotidienne de la production. Il peut y avoir plusieurs directeurs adjoints sur un projet. Ce r\u00f4le est principalement vu dans les podcasts de fiction.",
|
||||
"example":"William Wright pour \"Inn Between\""
|
||||
},
|
||||
{
|
||||
"key":"Creative Direction\/Executive Producer",
|
||||
"group":"Direction de Cr\u00e9ation",
|
||||
"role":"Product\u00b7eur\u00b7rice ex\u00e9cut\u00b7if\u00b7ive",
|
||||
"description":"Le producteur ex\u00e9cutif est le producteur principal d'une production. Le r\u00f4le peut varier en termes de contr\u00f4le cr\u00e9atif, certains \"EP\" d\u00e9tenant la direction cr\u00e9ative d'un podcast (en fait en assumant le r\u00f4le de r\u00e9alisateur), tandis que d'autres peuvent adopter une approche plus pratique. Le producteur ex\u00e9cutif a peut-\u00eatre collect\u00e9 des fonds pour financer la production, mais ce n'est pas une responsabilit\u00e9 n\u00e9cessaire du r\u00f4le.",
|
||||
"example":"Jane Rotonda pour \"The Larry Meiller Show\""
|
||||
},
|
||||
{
|
||||
"key":"Creative Direction\/Senior Producer",
|
||||
"group":"Direction de Cr\u00e9ation",
|
||||
"role":"Premi\u00b7er\u00b7\u00e8re R\u00e9alisat\u00b7eur\u00b7rice",
|
||||
"description":"Le producteur principal est le deuxi\u00e8me producteur le plus ancien de la production (deuxi\u00e8me apr\u00e8s le producteur ex\u00e9cutif). Ils supervisent les producteurs et la direction g\u00e9n\u00e9rale et la logistique de l'ensemble de la production.",
|
||||
"example":"Dr. Jeremy Weisz de \"INspired INsider\""
|
||||
},
|
||||
{
|
||||
"key":"Creative Direction\/Producer ",
|
||||
"group":"Direction de Cr\u00e9ation",
|
||||
"role":"Product\u00b7eur\u00b7rice",
|
||||
"description":"Le producteur coordonne et ex\u00e9cute la production du podcast. Ces t\u00e2ches peuvent inclure l'aide \u00e0 l'\u00e9laboration de la direction cr\u00e9ative d'un projet, la budg\u00e9tisation, la recherche, la planification et la supervision de l'\u00e9dition et de la production finale.",
|
||||
"example":""
|
||||
},
|
||||
{
|
||||
"key":"Creative Direction\/Associate Producer",
|
||||
"group":"Direction de Cr\u00e9ation",
|
||||
"role":"Product\u00b7eur\u00b7rice D\u00e9l\u00e9gu\u00e9\u00b7e",
|
||||
"description":"Le producteur associ\u00e9 remplit une ou plusieurs fonctions de producteur qui lui sont d\u00e9l\u00e9gu\u00e9es par un producteur.",
|
||||
"example":"Alex Baumhardt pour \"APM Reports\""
|
||||
},
|
||||
{
|
||||
"key":"Creative Direction\/Development Producer",
|
||||
"group":"Direction de Cr\u00e9ation",
|
||||
"role":"Product\u00b7eur\u00b7rice au D\u00e9veloppement",
|
||||
"description":"Le producteur de d\u00e9veloppement coordonne et ex\u00e9cute la direction de cr\u00e9ation de pr\u00e9-production d'un podcast. Leurs responsabilit\u00e9s consistent \u00e0 trouver de nouvelles id\u00e9es d'\u00e9pisodes et de s\u00e9ries et \u00e0 travailler avec des \u00e9crivains et des chercheurs pour pr\u00e9parer le concept pour la production.",
|
||||
"example":""
|
||||
},
|
||||
{
|
||||
"key":"Creative Direction\/Creative Director",
|
||||
"group":"Direction de Cr\u00e9ation",
|
||||
"role":"Direct\u00b7eur\u00b7rice de la Cr\u00e9ation",
|
||||
"description":"Le directeur de la cr\u00e9ation est responsable de la strat\u00e9gie cr\u00e9ative et de l'ex\u00e9cution de toute une s\u00e9rie. Souvent, ce r\u00f4le d\u00e9passe le contenu pour affecter les \u0153uvres d'art, la musique, les campagnes marketing, etc.",
|
||||
"example":"Neil Druckmann sur \"The Official The Last of Us\""
|
||||
},
|
||||
{
|
||||
"key":"Cast\/Host",
|
||||
"group":"Distribution",
|
||||
"role":"Pr\u00e9sentat\u00b7eur\u00b7rice",
|
||||
"description":"L'h\u00f4te est le ma\u00eetre des c\u00e9r\u00e9monies \u00e0 l'antenne du podcast et une pr\u00e9sence constante sur chaque \u00e9pisode (\u00e0 l'exception des h\u00f4tes invit\u00e9s et des \u00e9pisodes alternatifs). Les t\u00e2ches de l'h\u00f4te peuvent inclure la r\u00e9alisation d'entrevues, l'introduction d'histoires et de segments, la narration, etc. Il peut y avoir plus d'un h\u00f4te par podcast ou \u00e9pisode.",
|
||||
"example":"Joe Rogan pour \"The Joe Rogan Experience\""
|
||||
},
|
||||
{
|
||||
"key":"Cast\/Co-Host",
|
||||
"group":"Distribution",
|
||||
"role":"Co-Pr\u00e9sentat\u00b7eur\u00b7rice",
|
||||
"description":"Le co-animateur remplit bon nombre des m\u00eames t\u00e2ches que l'h\u00f4te, tout en prenant une pr\u00e9sence secondaire sur le podcast.",
|
||||
"example":"Dax Shepard pour \"Armchair Expert\""
|
||||
},
|
||||
{
|
||||
"key":"Cast\/Guest Host",
|
||||
"group":"Distribution",
|
||||
"role":"Pr\u00e9sentat\u00b7eur\u00b7rice Exceptionnel\u00b7le",
|
||||
"description":"L'h\u00f4te invit\u00e9 remplit toutes les fonctions du r\u00f4le d'h\u00f4te traditionnel, mais le fait \u00e0 titre temporaire. Souvent en une seule apparition ou en une courte p\u00e9riode d'\u00e9pisodes.",
|
||||
"example":"Erica Kelly sur \"Let's Taco 'Bout Women and True Crime\""
|
||||
},
|
||||
{
|
||||
"key":"Cast\/Guest",
|
||||
"group":"Distribution",
|
||||
"role":"Invit\u00e9\u00b7e",
|
||||
"description":"L'invit\u00e9 est une partie ext\u00e9rieure qui fait une apparition \u00e0 l'antenne sur un \u00e9pisode, souvent en tant que participant \u00e0 un panel ou sujet de l'interview.",
|
||||
"example":"Lewis Brindley pour \"Triforce!\""
|
||||
},
|
||||
{
|
||||
"key":"Cast\/Voice Actor",
|
||||
"group":"Distribution",
|
||||
"role":"Com\u00e9dien\u00b7ne Voix",
|
||||
"description":"The Voice Actor donne une performance dans laquelle ils pr\u00eatent leur voix au r\u00f4le d'un personnage dans un \u00e9pisode de podcast. Alors que la majorit\u00e9 des r\u00f4les de doublage seront fictifs, le r\u00f4le de doubleur peut \u00e9galement couvrir des reconstitutions de conversations et de personnes r\u00e9elles.",
|
||||
"example":"Venk Potula pour \"Masala Jones\""
|
||||
},
|
||||
{
|
||||
"key":"Cast\/Narrator",
|
||||
"group":"Distribution",
|
||||
"role":"Narrat\u00b7eur\u00b7rice",
|
||||
"description":"The Narrator donne une performance dans laquelle racontent l'exposition d'une histoire fictive ou non fictive, souvent de mani\u00e8re sc\u00e9naris\u00e9e. Le narrateur peut \u00e9galement interpr\u00e9ter des voix de personnages dans l'histoire, \u00e0 condition qu'ils conservent toujours le r\u00f4le de conteur d'exposition ou de \u00abvoix de Dieu\u00bb.",
|
||||
"example":"James Harvey Freetly pour \"Lakeshore & Limbo\""
|
||||
},
|
||||
{
|
||||
"key":"Cast\/Announcer",
|
||||
"group":"Distribution",
|
||||
"role":"Annonc\u00b7eur\u00b7euse",
|
||||
"description":"L'annonceur donne de courtes performances vocales pour l'introduction du podcast, des sujets d'\u00e9pisode, des segments, des invit\u00e9s, des prix, etc. L'annonceur est secondaire par rapport \u00e0 l'h\u00f4te du podcast et effectue souvent ses introductions d'une mani\u00e8re sc\u00e9naris\u00e9e et produite.",
|
||||
"example":"Lydia Kapp pour \"World Builders Anonymous\""
|
||||
},
|
||||
{
|
||||
"key":"Cast\/Reporter",
|
||||
"group":"Distribution",
|
||||
"role":"Journaliste",
|
||||
"description":"Le journaliste trouve et \u00e9tudie des nouvelles ou des histoires pour le podcast, interviewant souvent des sujets et menant des recherches. Le journaliste peut \u00e9galement \u00eatre un poste \u00e0 l'antenne, car il transmet les id\u00e9es de son enqu\u00eate.",
|
||||
"example":""
|
||||
},
|
||||
{
|
||||
"key":"Writing\/Author",
|
||||
"group":"\u00c9criture",
|
||||
"role":"Aut\u00b7eur\u00b7rice",
|
||||
"description":"L'auteur a \u00e9crit de la prose ou de la po\u00e9sie initialement destin\u00e9e \u00e0 un texte qui est maintenant lu textuellement \u00e0 l'antenne.",
|
||||
"example":"Heiko Martens pour \"The Sigmund Freud Files\""
|
||||
},
|
||||
{
|
||||
"key":"Writing\/Editorial Director",
|
||||
"group":"\u00c9criture",
|
||||
"role":"Direct\u00b7eur\u00b7rice de la R\u00e9daction",
|
||||
"description":"Le directeur de la r\u00e9daction dirige tous les d\u00e9partements de l'organisation derri\u00e8re le podcast et est responsable de la d\u00e9l\u00e9gation des t\u00e2ches aux membres du personnel et de leur gestion. Ils sont l'\u00e9diteur le plus haut plac\u00e9 et sont responsables de la direction, de l'exactitude et des d\u00e9cisions derri\u00e8re le contenu de podcast.",
|
||||
"example":"Christopher Twarowski pour \"News Beat\""
|
||||
},
|
||||
{
|
||||
"key":"Writing\/Co-Writer",
|
||||
"group":"\u00c9criture",
|
||||
"role":"Co-r\u00e9dact\u00b7eur\u00b7rice",
|
||||
"description":"Le co-sc\u00e9nariste a \u00e9crit un podcast en partenariat avec 1 ou 2 autres \u00e9crivains, partageant ainsi le m\u00e9rite de l'arc cr\u00e9atif, du dialogue et de la narration.",
|
||||
"example":"Max Eggers dans \"THE LIGHTHOUSE\""
|
||||
},
|
||||
{
|
||||
"key":"Writing\/Writer",
|
||||
"group":"\u00c9criture",
|
||||
"role":"R\u00e9dact\u00b7eur\u00b7rice",
|
||||
"description":"The Writer a \u00e9crit l'histoire ou le dialogue d'un podcast. L'\u00e9crivain est souvent impliqu\u00e9 dans l'arc cr\u00e9atif d'une production, mais ce n'est pas une condition n\u00e9cessaire. Les \u00e9crivains peuvent travailler dans des podcasts fictifs ou non fictifs.",
|
||||
"example":""
|
||||
},
|
||||
{
|
||||
"key":"Writing\/Songwriter",
|
||||
"group":"\u00c9criture",
|
||||
"role":"Aut\u00b7eur\u00b7rice Composit\u00b7eur\u00b7rice",
|
||||
"description":"L'auteur-compositeur a \u00e9crit les paroles et \/ ou la musique d'accompagnement d'une chanson originale cr\u00e9\u00e9e pour le podcast et jou\u00e9e sur un \u00e9pisode.",
|
||||
"example":"Ben Lapidus pour \"Gay Future\""
|
||||
},
|
||||
{
|
||||
"key":"Writing\/Guest Writer",
|
||||
"group":"\u00c9criture",
|
||||
"role":"R\u00e9dact\u00b7eur\u00b7rice Invit\u00e9\u00b7e",
|
||||
"description":"L'\u00e9crivain invit\u00e9 remplit les fonctions d'\u00e9crivain \u00e0 titre temporaire, souvent sous la forme d'un \u00e9pisode unique ou d'une courte p\u00e9riode d'\u00e9pisodes. La distinction entre \u00e9crivain et \u00e9crivain invit\u00e9 d\u00e9pend de la d\u00e9cision du podcast lui-m\u00eame.",
|
||||
"example":"Beth Crane pour \"The Unseen Hour\""
|
||||
},
|
||||
{
|
||||
"key":"Writing\/Story Editor",
|
||||
"group":"\u00c9criture",
|
||||
"role":"R\u00e9dact\u00b7eur\u00b7rice en Chef ",
|
||||
"description":"L'\u00e9diteur d'histoire est responsable de la direction g\u00e9n\u00e9rale de l'arc de l'histoire et du d\u00e9veloppement des personnages d'un podcast. Souvent vu dans les podcasts de fiction et documentaires.",
|
||||
"example":"Gabrielle Loux pour \"The NoSleep Podcast\""
|
||||
},
|
||||
{
|
||||
"key":"Writing\/Managing Editor",
|
||||
"group":"\u00c9criture",
|
||||
"role":"Direct\u00b7eur\u00b7rice de la Publication",
|
||||
"description":"Le r\u00e9dacteur en chef supervise et coordonne les activit\u00e9s \u00e9ditoriales des podcasts, en fournissant \u00e0 la fois une \u00e9dition d\u00e9taill\u00e9e et la gestion d'une \u00e9quipe de r\u00e9dacteurs et d'\u00e9diteurs pour s'assurer que les d\u00e9lais et les budgets sont respect\u00e9s.",
|
||||
"example":"Flora Lichtman pour \"Every Little Thing\""
|
||||
},
|
||||
{
|
||||
"key":"Writing\/Script Editor",
|
||||
"group":"\u00c9criture",
|
||||
"role":"Chef\u00b7fe-Sc\u00e9nariste",
|
||||
"description":"L'\u00e9diteur de script fournit des notes et des modifications au script d'enregistrement dans un r\u00f4le tr\u00e8s pratique. L'\u00e9diteur de script est principalement utilis\u00e9 dans la fiction, les documentaires et les publicit\u00e9s o\u00f9 les enregistrements sc\u00e9naris\u00e9s sont r\u00e9pandus.",
|
||||
"example":"Alex Rioux pour \"Bienvenue \u00e0 Tinsel Town: A Christmas Adventure\""
|
||||
},
|
||||
{
|
||||
"key":"Writing\/Script Coordinator",
|
||||
"group":"\u00c9criture",
|
||||
"role":"Coordinat\u00b7eur\u00b7rice de sc\u00e9nario",
|
||||
"description":"Le coordinateur du sc\u00e9nario emballe le script final avec des annotations qui refl\u00e8tent une logistique sp\u00e9cifique et des indices cr\u00e9atifs pour l'enregistrement et la production.",
|
||||
"example":"Alex Rioux pour \"Bienvenue \u00e0 Tinsel Town: A Christmas Adventure\""
|
||||
},
|
||||
{
|
||||
"key":"Writing\/Researcher",
|
||||
"group":"\u00c9criture",
|
||||
"role":"Enqu\u00eat\u00b7eur\u00b7rice",
|
||||
"description":"Le chercheur coordonne la recherche et la v\u00e9rification des informations qui peuvent ensuite \u00eatre utilis\u00e9es pour le contenu d'un \u00e9pisode de podcast, informant souvent la direction d'une histoire en fonction de nouvelles informations d\u00e9couvertes.",
|
||||
"example":"Dave Grave pour \"The Zero Brain Podcast\""
|
||||
},
|
||||
{
|
||||
"key":"Writing\/Editor ",
|
||||
"group":"\u00c9criture",
|
||||
"role":"\u00c9dit\u00b7eur\u00b7rice",
|
||||
"description":"L'\u00e9diteur examine et pr\u00e9pare des scripts pour transmettre des informations de mani\u00e8re cr\u00e9ative, pr\u00e9cise et engageante.",
|
||||
"example":""
|
||||
},
|
||||
{
|
||||
"key":"Writing\/Fact Checker ",
|
||||
"group":"\u00c9criture",
|
||||
"role":"Contr\u00f4l\u00b7eur\u00b7euse Qualit\u00e9",
|
||||
"description":"Le v\u00e9rificateur de faits examine le contenu d'un podcast pour v\u00e9rifier l'exactitude des faits et v\u00e9rifie que l'attribution des citations est correcte. Ils utilisent une vari\u00e9t\u00e9 d'outils, y compris la recherche de tiers et la sensibilisation individuelle. Souvent, le v\u00e9rificateur de faits fournira \u00e9galement des notes sur la fa\u00e7on dont la production peut \u00e9viter la confusion dans la livraison des informations dans l'\u00e9pisode.",
|
||||
"example":""
|
||||
},
|
||||
{
|
||||
"key":"Writing\/Translator",
|
||||
"group":"\u00c9criture",
|
||||
"role":"Traduct\u00b7eur\u00b7rice",
|
||||
"description":"Le traducteur convertit le contenu d'une langue \u00e0 une autre pour le podcast. Cela peut \u00eatre des interviews, des dialogues, des documents texte, etc. Le travail du traducteur peut \u00eatre utilis\u00e9 \u00e0 l'antenne ou en coulisses pendant le processus de production \/ recherche.",
|
||||
"example":""
|
||||
},
|
||||
{
|
||||
"key":"Writing\/Transcriber",
|
||||
"group":"\u00c9criture",
|
||||
"role":"Transcript\u00b7eur\u00b7rice",
|
||||
"description":"Le transcripteur transforme les dialogues et les signaux audio en texte, qui peut \u00eatre utilis\u00e9 en interne pour les processus de production ou affich\u00e9 publiquement pour les auditeurs.",
|
||||
"example":""
|
||||
},
|
||||
{
|
||||
"key":"Writing\/Logger ",
|
||||
"group":"\u00c9criture",
|
||||
"role":"Archiviste",
|
||||
"description":"The Logger examine et documente le contenu et les horodatages de l'audio brut au service des producteurs et des \u00e9diteurs dans le processus de production.",
|
||||
"example":""
|
||||
},
|
||||
{
|
||||
"key":"Audio Production\/Studio Coordinator ",
|
||||
"group":"Production Audio",
|
||||
"role":"Coordinat\u00b7eur\u00b7rice de Studio",
|
||||
"description":"Le coordonnateur de studio g\u00e8re le studio d'enregistrement et les techniciens audio travaillant dans le studio au moment de l'enregistrement.",
|
||||
"example":""
|
||||
},
|
||||
{
|
||||
"key":"Audio Production\/Technical Director",
|
||||
"group":"Production Audio",
|
||||
"role":"Direct\u00b7eur\u00b7rice Technique",
|
||||
"description":"Le directeur technique supervise l'enregistrement et la production du podcast car il est impliqu\u00e9 dans les technologies audio, y compris le mat\u00e9riel et les logiciels, et la gestion des r\u00f4les impliqu\u00e9s dans ces domaines.",
|
||||
"example":"Adam Raymonda sur \"Celebuzz'd\""
|
||||
},
|
||||
{
|
||||
"key":"Audio Production\/Technical Manager",
|
||||
"group":"Production Audio",
|
||||
"role":"Responsable Technique",
|
||||
"description":"Le directeur technique coordonne une \u00e9quipe d'ing\u00e9nieurs du son et de personnel de studio, dans l'enregistrement et la production car il est impliqu\u00e9 dans les technologies audio, y compris le mat\u00e9riel et les logiciels.",
|
||||
"example":""
|
||||
},
|
||||
{
|
||||
"key":"Audio Production\/Audio Engineer",
|
||||
"group":"Production Audio",
|
||||
"role":"Ing\u00e9nieur\u00b7e du Son",
|
||||
"description":"L'ing\u00e9nieur audio aide \u00e0 enregistrer et \u00e0 produire de l'audio en configurant des environnements d'enregistrement, en surveillant le recodage et en apportant des ajustements techniques tout au long. L'ing\u00e9nieur audio est pr\u00e9sent pendant le processus d'enregistrement, effectuant le plus souvent des ajustements en temps r\u00e9el. L'ing\u00e9nieur du son peut travailler avec des conversations, de la musique, des chansons ou tout autre type d'audio.",
|
||||
"example":"Peter Leonard de \"Startup Podcast\""
|
||||
},
|
||||
{
|
||||
"key":"Audio Production\/Remote Recording Engineer ",
|
||||
"group":"Production Audio",
|
||||
"role":"Pren\u00b7eur\u00b7euse de Son sur Site",
|
||||
"description":"L'ing\u00e9nieur d'enregistrement \u00e0 distance assure l'enregistrement correct des conversations ayant lieu \u00e0 plusieurs endroits sur une ligne t\u00e9l\u00e9phonique ou une connexion Internet. L'ing\u00e9nieur d'enregistrement \u00e0 distance \u00e9value les diff\u00e9rentes configurations d'enregistrement et tente de les r\u00e9concilier en un son coh\u00e9rent, tout en surveillant \u00e9galement le processus d'enregistrement pour capturer le meilleur son possible.",
|
||||
"example":""
|
||||
},
|
||||
{
|
||||
"key":"Audio Production\/Post Production Engineer",
|
||||
"group":"Production Audio",
|
||||
"role":"Ing\u00e9nieur\u00b7e Post-Production",
|
||||
"description":"L'ing\u00e9nieur postproduction \u00e9value les technologies audio et leur application en ce qui concerne les \u00e9tapes finales de production et de publication.",
|
||||
"example":"Dick Wound pour \"Queens Next Door\""
|
||||
},
|
||||
{
|
||||
"key":"Audio Post-Production\/Audio Editor ",
|
||||
"group":"Post-Production Audio",
|
||||
"role":"Mont\u00b7eur\u00b7euse Son",
|
||||
"description":"L'\u00e9diteur audio coupe et r\u00e9organise l'audio \u00e0 des fins de clart\u00e9 et de narration. L'\u00e9diteur audio peut \u00e9galement effectuer un traitement et un mastering audio g\u00e9n\u00e9raux.",
|
||||
"example":""
|
||||
},
|
||||
{
|
||||
"key":"Audio Post-Production\/Sound Designer ",
|
||||
"group":"Post-Production Audio",
|
||||
"role":"Concept\u00b7eur\u00b7rice Sonore",
|
||||
"description":"Le Sound Designer cr\u00e9e et compose une vari\u00e9t\u00e9 d'\u00e9l\u00e9ments audio. Ces \u00e9l\u00e9ments sont pour la plupart secondaires \u00e0 la parole, mais un Sound Designer peut \u00e9diter \/ produire des \u00e9l\u00e9ments de discours de mani\u00e8re cr\u00e9ative d'une mani\u00e8re artistique.",
|
||||
"example":""
|
||||
},
|
||||
{
|
||||
"key":"Audio Post-Production\/Foley Artist ",
|
||||
"group":"Post-Production Audio",
|
||||
"role":"Illustrat\u00b7eur\u00b7rice Sonore",
|
||||
"description":"Les effets sonores de l'artiste Foley pour un podcast et peuvent le faire \u00e0 la fois via un enregistrement physique et un traitement num\u00e9rique, ou une combinaison des deux.",
|
||||
"example":""
|
||||
},
|
||||
{
|
||||
"key":"Audio Post-Production\/Composer",
|
||||
"group":"Post-Production Audio",
|
||||
"role":"Composit\u00b7eur\u00b7rice",
|
||||
"description":"Le compositeur \u00e9crit une pi\u00e8ce musicale originale (ou plusieurs) qui est jou\u00e9e sur l'\u00e9pisode publi\u00e9. Le compositeur sera \u00e9galement souvent l'interpr\u00e8te de ladite pi\u00e8ce musicale.",
|
||||
"example":"Marcus Thorne Bagala de \"This American Life\""
|
||||
},
|
||||
{
|
||||
"key":"Audio Post-Production\/Theme Music",
|
||||
"group":"Post-Production Audio",
|
||||
"role":"Musique de G\u00e9n\u00e9rique",
|
||||
"description":"Theme Music est une pi\u00e8ce musicale qui accompagne le podcast \u00e0 travers plusieurs \u00e9pisodes, le plus souvent au d\u00e9but d'un \u00e9pisode. Le th\u00e8me Musique est utilis\u00e9 pour pr\u00e9senter le podcast en tant que marque. Ce r\u00f4le est pour le cr\u00e9ateur de la musique du th\u00e8me.",
|
||||
"example":"Mark Philips de \"Startup Podcast\""
|
||||
},
|
||||
{
|
||||
"key":"Audio Post-Production\/Music Production",
|
||||
"group":"Post-Production Audio",
|
||||
"role":"Production Musicale",
|
||||
"description":"Le r\u00f4le de production musicale aide \u00e0 cr\u00e9er de mani\u00e8re cr\u00e9ative de la musique dans un r\u00f4le distinct de l'\u00e9criture de ladite musique. La production musicale implique souvent des d\u00e9cisions cr\u00e9atives en fonction de la m\u00e9thode d'enregistrement de la musique, de l'arrangement des instruments, de l'utilisation d'effets, etc.",
|
||||
"example":"Storm Duper pour \"Faking Star Wars Radio\""
|
||||
},
|
||||
{
|
||||
"key":"Audio Post-Production\/Music Contributor",
|
||||
"group":"Post-Production Audio",
|
||||
"role":"Contribution Musicale",
|
||||
"description":"The Music Contributor est le cr\u00e9ateur de la musique qui a \u00e9t\u00e9 utilis\u00e9e pour le podcast mais pas n\u00e9cessairement produite sp\u00e9cifiquement pour le podcast. Souvent, un podcast utilisera une pi\u00e8ce musicale existante et cr\u00e9ditera le cr\u00e9ateur original.",
|
||||
"example":"Bobby Lord de \"Startup Podcast\""
|
||||
},
|
||||
{
|
||||
"key":"Administration\/Production Coordinator",
|
||||
"group":"Gestion",
|
||||
"role":"Coordinat\u00b7eur\u00b7rice de Production",
|
||||
"description":"Le coordonnateur de la production est responsable de la gestion de la logistique du processus de production de l'enregistrement \u00e0 la publication, y compris l'obtention des autorisations et des permis requis, la connexion des diff\u00e9rentes \u00e9quipes de production et d'enregistrement, la coordination de la cr\u00e9ation des m\u00e9tadonn\u00e9es de post-production, la budg\u00e9tisation, etc.",
|
||||
"example":"Taneya Boyde sur \"Pr\u00eat pour le changement?\""
|
||||
},
|
||||
{
|
||||
"key":"Administration\/Booking Coordinator",
|
||||
"group":"Gestion",
|
||||
"role":"Programmat\u00b7eur\u00b7rice",
|
||||
"description":"Le coordonnateur des r\u00e9servations est charg\u00e9 de faire venir de nouveaux invit\u00e9s pour les entrevues, y compris la recherche des invit\u00e9s, la planification des entrevues, le mat\u00e9riel d'accueil et les processus post-publication.",
|
||||
"example":"Meryl Klemow pour \"Campfire Sht Show\""
|
||||
},
|
||||
{
|
||||
"key":"Administration\/Production Assistant",
|
||||
"group":"Gestion",
|
||||
"role":"Assistant\u00b7e de Production",
|
||||
"description":"L'assistant de production aide \u00e0 soutenir un membre de la direction d'un podcast (souvent un r\u00e9alisateur ou un producteur), en aidant \u00e0 les pr\u00e9parer de diverses mani\u00e8res, y compris la planification, la logistique, les communications, etc.",
|
||||
"example":"Wallace Mack pour \"The Nod\""
|
||||
},
|
||||
{
|
||||
"key":"Administration\/Content Manager",
|
||||
"group":"Gestion",
|
||||
"role":"Responsable des Contenus",
|
||||
"description":"Le gestionnaire de contenu est responsable de la distribution du contenu d'un podcast \u00e0 l'int\u00e9rieur et \u00e0 l'ext\u00e9rieur de l'\u00e9pisode, y compris, mais sans s'y limiter, les clips, les newsletters, les images, les promotions crois\u00e9es, etc.",
|
||||
"example":"Kenneth Lee Johnson II pour \"Malice Corp Smack Talk\""
|
||||
},
|
||||
{
|
||||
"key":"Administration\/Marketing Manager",
|
||||
"group":"Gestion",
|
||||
"role":"Responsable Marketing",
|
||||
"description":"Le directeur du marketing est responsable de la promotion du contenu d'un podcast par le biais de diverses strat\u00e9gies de sensibilisation telles que des campagnes sur les m\u00e9dias sociaux, le d\u00e9veloppement d'une pr\u00e9sence sur le Web, la gestion des relations publiques et des strat\u00e9gies de communication et d'autres techniques cr\u00e9atives pour acqu\u00e9rir et fid\u00e9liser les auditeurs.",
|
||||
"example":""
|
||||
},
|
||||
{
|
||||
"key":"Administration\/Sales Representative",
|
||||
"group":"Gestion",
|
||||
"role":"Commercial\u00b7e",
|
||||
"description":"Le repr\u00e9sentant des ventes est responsable de la mon\u00e9tisation du contenu des balados en g\u00e9rant et en vendant l'inventaire publicitaire.",
|
||||
"example":""
|
||||
},
|
||||
{
|
||||
"key":"Administration\/Sales Manager",
|
||||
"group":"Gestion",
|
||||
"role":"Direct\u00b7eur\u00b7rice Commercial\u00b7e",
|
||||
"description":"Le directeur des ventes est responsable de tous les aspects de la mon\u00e9tisation des podcasts, tels que la supervision des repr\u00e9sentants des ventes, la gestion de l'inventaire publicitaire et la conception de strat\u00e9gies de mon\u00e9tisation via des canaux tels que les partenariats d'affiliation, la marchandise, les \u00e9v\u00e9nements en direct et d'autres strat\u00e9gies de revenus.",
|
||||
"example":""
|
||||
},
|
||||
{
|
||||
"key":"Visuals\/Graphic Designer",
|
||||
"group":"Illustrations",
|
||||
"role":"Infographiste",
|
||||
"description":"Le graphiste est quelqu'un qui a cr\u00e9\u00e9 des visuels personnalis\u00e9s pour accompagner le podcast de diff\u00e9rentes mani\u00e8res.",
|
||||
"example":"Sky Knight pour \"The XP Billionaires\""
|
||||
},
|
||||
{
|
||||
"key":"Visuals\/Cover Art Designer ",
|
||||
"group":"Illustrations",
|
||||
"role":"Concept\u00b7eur\u00b7rice de la Couverture",
|
||||
"description":"Le Cover Art Designer cr\u00e9e la pochette affich\u00e9e d'un podcast ou d'un \u00e9pisode. Pour plus de clart\u00e9, la pochette est l'image principale (presque toujours carr\u00e9e) accompagnant le podcast dans les r\u00e9pertoires, tandis que la pochette d'\u00e9pisode est affich\u00e9e de la m\u00eame mani\u00e8re au niveau de l'\u00e9pisode. Ce r\u00f4le peut \u00eatre un concepteur num\u00e9rique, un artiste, un photographe ou tout autre cr\u00e9atif visuel.",
|
||||
"example":""
|
||||
},
|
||||
{
|
||||
"key":"Community\/Social Media Manager",
|
||||
"group":"Communaut\u00e9",
|
||||
"role":"Responsable R\u00e9seaux Sociaux",
|
||||
"description":"Le gestionnaire de m\u00e9dias sociaux g\u00e8re les comptes de m\u00e9dias sociaux du podcast, y compris, mais sans s'y limiter, la cr\u00e9ation de contenu, la publication, les r\u00e9ponses, la surveillance, etc.",
|
||||
"example":"Tom Joshi-Cale pour \"World on a String\""
|
||||
},
|
||||
{
|
||||
"key":"Misc.\/Consultant",
|
||||
"group":"Divers",
|
||||
"role":"Consultant",
|
||||
"description":"Un consultant est un poste de tiers o\u00f9 une personne ext\u00e9rieure \u00e0 l'organisation travaille sur un projet, offrant souvent une expertise sp\u00e9cifique. Il s'agit d'un r\u00f4le de modificateur et peut \u00eatre appliqu\u00e9 \u00e0 n'importe quelle zone de travail.",
|
||||
"example":"Ross Wilcock pour \u00abBeing Kenzie-Feature Long Immersive Horror\u00bb"
|
||||
},
|
||||
{
|
||||
"key":"Misc.\/Intern",
|
||||
"group":"Divers",
|
||||
"role":"Stagiaire",
|
||||
"description":"Un stagiaire est un poste d'apprenti o\u00f9 quelqu'un travaille pendant un temps limit\u00e9 au sein d'une organisation pour acqu\u00e9rir une exp\u00e9rience de travail dans un domaine sp\u00e9cifique. Il s'agit d'un r\u00f4le de modificateur et peut \u00eatre appliqu\u00e9 \u00e0 n'importe quelle zone de travail.",
|
||||
"example":""
|
||||
},
|
||||
{
|
||||
"key":"Video Production\/Camera Operator",
|
||||
"group":"Production Vid\u00e9o",
|
||||
"role":"Cadr\u00b7eur\u00b7euse",
|
||||
"description":"Un cam\u00e9raman est charg\u00e9 de capturer et d'enregistrer tous les aspects d'une sc\u00e8ne pour le cin\u00e9ma et la t\u00e9l\u00e9vision. Ils doivent comprendre les aspects techniques du fonctionnement d'une cam\u00e9ra, cadrer une photo appropri\u00e9e en ce qui concerne l'\u00e9clairage et la mise en sc\u00e8ne, mettre au point l'objectif et avoir un \u0153il visuel pour obtenir un look sp\u00e9cifique.",
|
||||
"example":""
|
||||
},
|
||||
{
|
||||
"key":"Video Production\/Lighting Designer",
|
||||
"group":"Production Vid\u00e9o",
|
||||
"role":"Concept\u00b7eur\u00b7rice Lumi\u00e8res",
|
||||
"description":"Un concepteur d'\u00e9clairage travaille avec le DP et le directeur pour cr\u00e9er un aspect et une sensation sp\u00e9cifiques d'une sc\u00e8ne en utilisant diverses techniques d'\u00e9clairage. Ils doivent \u00eatre capables d'interpr\u00e9ter la direction cr\u00e9ative et de lui donner vie.",
|
||||
"example":""
|
||||
},
|
||||
{
|
||||
"key":"Video Production\/Camera Grip",
|
||||
"group":"Production Vid\u00e9o",
|
||||
"role":"Machiniste",
|
||||
"description":"Une poign\u00e9e d'appareil photo est responsable de la construction et de l'entretien de toutes les pi\u00e8ces d'un appareil photo et de ses accessoires tels que les tr\u00e9pieds, les grues, les chariots, etc.",
|
||||
"example":""
|
||||
},
|
||||
{
|
||||
"key":"Video Production\/Assistant Camera",
|
||||
"group":"Production Vid\u00e9o",
|
||||
"role":"Cadr\u00b7eur\u00b7euse Assistant\u00b7e",
|
||||
"description":"1st AC est responsable de l'\u00e9quipement de la cam\u00e9ra, de la construction des cam\u00e9ras avant le d\u00e9but de chaque journ\u00e9e, de l'organisation de toutes les pi\u00e8ces et des divers accessoires, du remplacement des objectifs si n\u00e9cessaire et \u00e9galement de la mise au point pour les op\u00e9rateurs DP et cam\u00e9ra. Le CA terminera \u00e9galement chaque journ\u00e9e en nettoyant les appareils photo, en \u00e9crivant des notes sur l'appareil photo, en marquant les cartes multim\u00e9dias et en les remettant au DIT.",
|
||||
"example":""
|
||||
},
|
||||
{
|
||||
"key":"Video Post-Production\/Editor",
|
||||
"group":"Post-Production Vid\u00e9o",
|
||||
"role":"R\u00e9dact\u00b7eur\u00b7rice en Chef\u00b7fe",
|
||||
"description":"Les \u00e9diteurs de t\u00e9l\u00e9vision sont charg\u00e9s de prendre les s\u00e9quences et les clips et de les m\u00e9langer pour cr\u00e9er la vision et la narration du r\u00e9alisateur.",
|
||||
"example":""
|
||||
},
|
||||
{
|
||||
"key":"Video Post-Production\/Assistant Editor",
|
||||
"group":"Post-Production Vid\u00e9o",
|
||||
"role":"R\u00e9dact\u00b7eur\u00b7rice en Chef\u00b7fe Adjoint\u00b7e",
|
||||
"description":"L'assistant de montage est charg\u00e9 de prendre les m\u00e9dias de l'ensemble, de les int\u00e9grer dans le logiciel de montage d\u00e9sign\u00e9 et d'organiser les images de mani\u00e8re efficace pour l'\u00e9diteur. Ils doivent \u00e9galement faire tr\u00e8s attention pour s'assurer que l'audio et la vid\u00e9o sont synchronis\u00e9s et que toutes les s\u00e9quences du plateau sont correctement ing\u00e9r\u00e9es.",
|
||||
"example":""
|
||||
}
|
||||
]
|
Ładowanie…
Reference in New Issue